The Capture One 22 15.2.0 update (free to existing users) brings more powerful keystone tools, faster M1 processing and new lens profiles.
Capture One 22 brings an HDR merge feature that quickly combines several exposures into a single fully editable DNG file with extended dynamic range. But how well does it work?
Choosing the best image editing software can be complicated. It all depends on what you look for most in your photo editing software. Here are 12 programs with their own distinct strengths.
Color is a complex thing. It doesn’t get its intensity solely from saturation, but also from contrast. This can include color contrast with colors on opposite sides of the color wheel, brightness contrast between bright and dark colors, and another type of contrast we can call ’saturation contrast’. This is where you contrast strongly saturated […]
Generally, those who object to subscription software do so on principle while those who embrace it do it out of practicality. That’s two different sets of reasons.
This is a great tool when you’re working with lenses that suffer from vignetting. Most modern lenses are pretty good in this respect and Capture One will usually have a lens profile that corrects vignetting and distortion and chromatic aberration at the same time. But if you’re working with older vintage lenses, or cheap lo-fi […]
The new Dehaze slider in Capture One 21 shares the same name as the tool in Lightroom, and the same aim – to reduce atmospheric haze in outdoor shots and restore contrast and depth. Capture One 21 does this using some advanced algorithms and a ‘matrix’ of adjustments which aren’t disclosed. Lightroom appears to use […]
Capture One 21 adds some interesting new features, many of which are aimed at improving the image importing and editing workflow. The new Dehaze tool may prove to be the most immediately useful, though.
The radial filter tool in Capture One, Lightroom and other image editors is great for ‘relighting’ scenes to add drama and depth.
I’m a big fan of LUTs (lookup tables). They are used in cinematography to give movies a specific ‘look’ but they’ve now crossed over into stills photography, where they are used for everything from vintage effects to film simulations.