The Capture One 22 15.2.0 update (free to existing users) brings more powerful keystone tools, faster M1 processing and new lens profiles.
Keywords sound like the perfect way to find your photos later. You can create any number of keywords for any purpose and they’re supported by just about all photo-editing applications. What could possibly go wrong?
Your camera’s sensor, your lens’s image stabiliser and the latest photo-editing software technology may surprise you with what they can do together. When you’re on vacation or on a once-in-a-lifetime trip or just strolling through warm city streets at night, you’re going to want to capture the sights with your camera but you don’t want […]
There’s colour photography and there’s black and white, but sometimes there’s something in between which has its own very distinctive look. This tutorial is all about selective colour – making a black and white image but with one single colour preserved. In this case it’s red, which is usually the most popular choice for this […]
Very often in landscape photography you get the landscape or the lighting you want, but not the sky. In the perfect world you’d keep going back again and again until everything was perfect. In our not-so-perfect-world, however, it’s sometimes useful to be able to add a new sky later, as the final touch to an […]
With careful use of levels and curves adjustments you can rescue even the faintest and most faded artworks and restore both saturation and contrast. Levels and curves are two of the most basic adjustment tools in any image-editing program, but there’s often confusion about which to use and when, and it often appears as if […]
Modern lenses are pretty good at creating even illumination across the frame, and if there is some corner shading (vignetting) you can use software to eliminate it. However, sometimes vignetting is good! Especially if you can control it creatively to improve your picture’s composition and contrast. This image below has all the ingredients for a […]
Digital images don’t have much texture. Your subjects might, of course, but the way cameras render tones is glassy-smooth (at low ISO settings anyway) and sometimes a little sterile. Adding a texture digitally can make a picture look more interesting, more tactile and more ‘hand made’. Textures can be very subtle, like the fine texture […]
Sometimes you get scenes where the brightness range is so great you just can’t bring out all the different tones in the picture. This is lighting problem, not a dynamic range problem. Even if your camera has the dynamic range to capture all the tones in the scene, there’s no way of showing them all. […]
Back in the days of film, a ‘straight’ black and white print was only a stepping stone. A properly finished print was almost always enhanced with some skilled ‘dodging and burning’. Dodging and burning is a classic technique in black and white, where certain areas of a print are held back (dodged) under the enlarger […]