The Replace Color filter is a new feature in ON1 Photo RAW 2021, though it will be a familiar option to many users of Photoshop and other programs. It does exactly what it says, allowing you to select a color in the image and replace it with another.
Tutorials
The new Capture One Dehaze tool is NOT the same as Lightroom Dehaze
The new Dehaze slider in Capture One 21 shares the same name as the tool in Lightroom, and the same aim – to reduce atmospheric haze in outdoor shots and restore contrast and depth. Capture One 21 does this using some advanced algorithms and a ‘matrix’ of adjustments which aren’t disclosed. Lightroom appears to use […]
How to use the Lightroom Dehaze tool
The Lightroom Dehaze tool is very powerful – often too powerful. It increases local contrast but also makes images darker and more saturated. It’s often better used with local adjustments and not on the whole image.
How to use Aurora HDR with Lightroom as a plug-in: for single exposures or bracketed sets
You can use Aurora HDR 2019 as a standalone program, but if you have Lightroom it’s a lot easier and more efficient to launch it from Lightroom as a plug-in. You can use Aurora HDR with Lightroom very easily, but the method is not the same for single images and bracketed exposures.
Balancing rocks on Poltesco beach, Exposure X5
Balancing rocks on Poltesco beach, Exposure X5: When I saw this balancing pile of rocks, I was sure I could make a picture out of it, with the pebble beach in the foreground and the silvery sea and sky in the background.
Icelandic sea stacks in Capture One
The radial filter tool in Capture One, Lightroom and other image editors is great for ‘relighting’ scenes to add drama and depth.
Porthleven power lines in Lightroom: one LUT, three graduated filters
Porthleven power lines in Lightroom: one LUT, three graduated filters. How a series of tools and effects can be used in combination towards an overall ‘look’.
How to highlight a color and then suppress the rest
Color is great, most of the time. But sometimes colors can fight with each other or just undermine the mood you’re trying to create. This is where an understanding of how your software’s color controls work can be a big advantage.
The Detail Extractor in Analog Efex Pro is like a magic bullet for contrast issues
Analog Efex Pro, part of the DxO Nik Collection has an excellent tool that’s easily missed but lies at the heart of many of this software’s striking analog film effects.
There may be more in your RAW files than you think! See this in Capture One
You might assume your RAW processing software shows you everything captured by the camera, but that’s not always the case. Where the camera is applying digital lens corrections, there may be more ‘image’ outside the regular image area that you wouldn’t normally see.