Color is great, most of the time. But sometimes colors can fight with each other or just undermine the mood you’re trying to create. This is where an understanding of how your software’s color controls work can be a big advantage.
Tutorials
The Detail Extractor in Analog Efex Pro is like a magic bullet for contrast issues
Analog Efex Pro, part of the DxO Nik Collection has an excellent tool that’s easily missed but lies at the heart of many of this software’s striking analog film effects.
There may be more in your RAW files than you think! See this in Capture One
You might assume your RAW processing software shows you everything captured by the camera, but that’s not always the case. Where the camera is applying digital lens corrections, there may be more ‘image’ outside the regular image area that you wouldn’t normally see.
How to customise Analog Efex Pro presets
Analog Efex Pro, part of the DxO Nik Collection, has some great vintage film effect presets, but you don’t have to use them exactly as they are provided. It’s very easy to customise and adapt these presets to give exactly the kind of look you want.
How to use Lightroom online: work on your photos in your web browser
If you’ve got Lightroom CC or Lightroom Classic you’ve got an Adobe Creative Cloud account, and this means you can synchronise photos between the Lightroom catalog on your computer, your Lightroom online web space and your mobile device. You can do this with either version of Lightroom, but Lightroom CC is built to do this […]
HSL (Hue, Saturation, Lightness) adjustments and what they can do
Global HSL adjustments aren’t very useful. If you shift the global hue of an image it quickly looks wrong. The real strength of the HSL system is the way it lets you separate and edit individual colors.
How to organise your image catalog: some ideas
What is the best way to organise your images in cataloguing software? You can use folders, albums, keywords, ratings, color labels, flags… but you should use just what you need. You don’t have to use them ALL.
How to cull images part 2: The triple-D – Duplicates, Duds and the just plain Dull
If you are anything like me and you don’t cull your images, you risk drowning in a sea of duplicates, RAW+JPEG pairs, half-finished experiments, virtual copies and images that were probably not worth shooting but you never got rid of. It’s only when you get rid of all the images that AREN’T contributing anything that you can really start to work on those that ARE.
How to cull images part 1: Culling anxiety, and how to get around it
Culling your photos after a shoot is the only way isolate your best shots and get rid of the clutter. But does culling anxiety get in the way? If you can’t bring yourself to delete any photo, JUST IN CASE, here’s what you can do about it.
Lightroom CC, Lightroom mobile, Lightroom web… and how it all works
Lightroom CC is part of a whole cloud-based ecosystem that makes not just your photos but your Lightroom library and its organisation available everywhere. Here’s how it works.