For many the answer will be obvious. If you want to do any serious editing later, then shooting RAW is a must, right? Normally I’d say yes, but here’s an instance where I decided to work from the JPEG rather than a RAW file, and I’ll explain why.
This is the brightness range the camera can capture before starting to lose detail in bright areas (like the sky) and dense, dark shadows. Generally, the larger the camera’s sensor, the better its dynamic range. RAW files capture a slightly wider dynamic range than JPEGs.
Lightroom and Capture One offer HDR tools with a difference. They don’t create wild and exaggerated HDR effects. Instead, they create what I would call DNG ‘super-negatives’ with extended dynamic range that you can then exploit however you like.
Almost any photographic expert will tell you that you should shoot RAW files not JPEGs, and that RAW files are innately superior. The trouble with this kind of wisdom is that it’s repeated and passed on without question.
Which is best for processing RAW files, DxO PhotoLab, Lightroom or Capture One? Here’s a set of eight image comparisons that aims to find out.
Dynamic range is the camera sensor’s ability to capture detail in very bright and very dark parts of a scene. Cameras (or sensors) with a low dynamic range record dark shadows as a solid black or bright highlights as a featureless white.
Bit depth is an important concept in digital imaging if you want the best possible image quality and if you intend to manipulate images heavily.
It’s very easy to lose extreme shadow or highlight detail when you’re shooting high-contrast scenes, and that’s one of the reasons for shooting raw files – they contain additional highlight detail, especially, that you may be able to bring out during processing. Shadow and highlight recovery is not always possible, but I usually reckon that […]