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14-bit RAW

The ‘bit depth’ of RAW files is a factor in the picture quality they can produce, so this is a selling point for advanced digital cameras. Some cheaper models can only shoot 12-bit RAW files, but while this sounds like a small difference, the extra bit depth potentially offers 4x the image data so 14-bit RAW files are a worthwhile benefit, especially if you want to process photos heavily later.

4 reasons to shoot RAW+JPEG and not just RAW files

September 1, 2022 by Rod Lawton

images on laptop screen

But why would you want both? Surely a RAW file is superior, as it has everything you need and a JPEG version is simply superfluous? Well maybe not, and here are 4 reasons why.

Filed Under: Featured, ListiclesTagged With: 14-bit RAW, 8-bit images, JPEG vs RAW, RAW processing, RAW+JPEG

10 myths about RAW files – and why they’re wrong

March 31, 2022 by Life after Photoshop

Almost any photographic expert will tell you that you should shoot RAW files not JPEGs, and that RAW files are innately superior. The trouble with this kind of wisdom is that it’s repeated and passed on without question.

Filed Under: General, Listicles, WorkflowTagged With: 14-bit RAW, 16-bit image, 8-bit images, Artefact/artifact, Bayer sensor, Bits and bit depth, Compression, Dynamic range, JPEG, JPEG vs RAW, Lens corrections, Lossy/lossless compression, Noise reduction, RAW file, RAW processing, RAW+JPEG, TIFF, White balance

RAW files explained

February 24, 2022 by Life after Photoshop

Many photographers prefer to work with RAW files – but what are they, how do you work with them, and why are they so much better than regular in-camera JPEGs?

Filed Under: Editing A-Z, Featured, GeneralTagged With: 14-bit RAW, 16-bit image, 8-bit images, Adobe RGB, Bayer sensor, Bits and bit depth, Compression, Demosaicing, DNG, Lossy/lossless compression, Picture control/style, RAW file, RAW processing, TIFF, White balance

Bits and bit depth explained

May 19, 2020 by Life after Photoshop

Bits and bit depth

Bit depth is an important concept in digital imaging if you want the best possible image quality and if you intend to manipulate images heavily.

Filed Under: Editing A-Z, Featured, GeneralTagged With: 14-bit RAW, 16-bit image, 24-bit/48-bit image, 8-bit images, Artefact/artifact, Bits and bit depth, Dynamic range, HDR, JPEG vs RAW, RAW processing

RAW vs JPEG: things you can do with RAW files that you can’t do with JPEGs

May 15, 2020 by Life after Photoshop

Most serious photographers prefer RAW files to JPEGs. They take more time and storage, but the payback is greater quality and flexibility. It’s not a one-sided argument – JPEGs have some advantages which are obvious, and some which are not – but here are six important reasons why RAW files are the way to go […]

Filed Under: FeaturedTagged With: 14-bit RAW, 16-bit image, 8-bit images, Bits and bit depth, Highlight recovery, JPEG vs RAW, LUTs, Noise reduction, Profiles, RAW file, RAW processing, RAW+JPEG, Shadow recovery, Sharpening, TIFF

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