White balance tips: 12 ways to control and use white balance more effectively

If you shoot RAW you can change the white balance later, though the camera’s white balance setting is embedded in the RAW data and will be used by default with the ‘As Shot’ setting.

• RAW vs JPEG: things you can do with RAW files that you can’t do with JPEGs

In mixed indoor/outdoor lighting there may be no single, ‘correct’ white balance setting but several. Choosing which white balance setting is correct may be a creative decision, not a technical decision.

Auto white balance can give you different colors from one shot to the next, which can be irritating, but in mixed lighting it can often give you a very good balance between the different light sources, which is good.

You can use the white balance eyedropper in your RAW software to pick a neutral object or tone in the image, but it’s not always easy to decide what should be ’neutral’ and you may still have to modify the result manually to make the image look natural.

You can use the white balance temperature slider to ‘warm up’ an image, but this can make the picture look ‘brown’ rather than ‘golden’ – but it will look better you increase the tint value a little too, typically by around half the amount of the temperature adjustment.

If you want consistent color rendition for a series of shots, you need to choose a white balance preset. This will force the camera to use specific temperature and tint values rather than choosing its own from one shot to the next (auto white balance).

White balance is subjective. Sometimes a photograph succeeds because of the color of the light, and ‘correcting’ it is exactly the wrong thing to do. Often, you need to use white balance presets to stop the camera from doing this.

Different RAW converters don’t treat white balance consistently. They may not respect the camera’s own temperature and tint values and they may not produce the same color balance as the camera when you choose a white balance preset in software.

• 3 RAW converters, 3 different white balance settings!

If you shoot JPEGs, you have much less leeway for white balance adjustments later because a lot of the original color information will have been discarded. You will only get relative temperature and tint values (percentages) and not absolute temperature and tint values.

• Why Lightroom White Balance settings are different for RAW and JPEG files

‘Color temperature’ is the old way to measure the color of light, dating back to film days. It’s still used for color balanced lighting systems, but cameras now use a secondary Tint value to add a green-magenta element for wider and subtler color corrections.

With RAW processing software that offers local adjustments, you can select different areas to apply different white balance settings. This could be useful in shots which include a mixture of daylight and artificial light, for example.

Some light sources can’t be fully corrected with white balance adjustments. These only work if the light has a broad color spectrum. Some yellow street lighting, for example, only emits yellow light. If you correct it, all you get is black and white.