Life after Photoshop

Black and white photography

Technically, black and white photography should be ‘less’ than colour, but its popularity is, if anything increasing. Black and white suits some subjects extremely well, drawing more attention to shapes, lighting and composition than is generally possible with colour photography. Most cameras have black and white picture modes, which is very useful when you’re composing images, but you get more control over the results by converting colour images to black and white on a computer later, so it’s a bit of a dilemma which route to take.

Black and white photography is as popular as ever, though now it's seen as a means of artistic expression rather than just a way of capturing images. Its continued popularity might be hard to explain logically since it offers 'less' than colour, but that may be part of its appeal – black and white offers fewer distractions, it's less 'literal' and it's easier to control the graphic and compositional elements that go to make up a picture without them fighting or undermining each other.

You can shoot black and white JPEGs in camera or do what most black and white fans do, which is to shoot RAW files and then process them into black and white later. This offers a 'digital negative' with a much wider brightness range and more scope for manipulation without image degradation.

Programs like Lightroom and Capture One are really good at producing strong, technically excellent black and white images, or you can use 'analog film simulation' tools like Analog Efex Pro, Alien Skin Exposure X or ON1 Photo RAW to create a film-like look.

In the days of film, taking the picture was only the start of the black and white image making process and the real work was done in the darkroom. It's the same now, and the most striking black and white images are created with careful enhancement and manipulation in software.

Dodging and burning techniques, the key to black and white imagery

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Dodging and burning is an old-school black and white darkroom process for enhancing black and white images. It was (and is) carried out while the print is being exposed under the enlarger. It’s a process that sounds unsophisticated and largely unrepeatable but it’s at the heart of black and white photography, whether it’s carried out in a traditional darkroom or in photo editing software.

Basic black and white adjustments in your digital darkroom

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Black and white images are rarely perfect straight from the camera. If you’ve ever used your camera’s black and white modes hoping for some magical monochrome transformation, you’ll probably have come away disappointed. Black and white imagery relies on light and contrast… and a degree of exaggeration. Sometimes real-world scenes don’t provide the tonal depth and drama that a black and white rendering needs, and very often images will only come alive in the darkroom, or in its modern digital replacement, your image editor.

Converting color photographs to black and white: what’s the best method to use?

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Given that digital cameras actually shoot in color, what’s the best way to convert these color images into black and white? If you set your camera to one of its black and white photo styles and shoot only JPEGs and not RAW files, then the camera itself will do the conversion and you are left with a black and white only image – though you may have some control over the contrast, clarity and even color filter settings. If you do as I do, though, and shoot RAW files, then when you process them on the computer you can choose the conversion method.

What are the best cameras for black and white photography?

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So here’s the question. Should you use a regular digital camera for black and white photography, or would it be better to get one of the few dedicated monochrome cameras with a black and white sensor? These are relatively uncommon and highly specialized cameras that do offer some advantages for high end monochromatic photography, but a mono camera is far from essential. So what else should you look for?

How to shoot in black and white: camera modes, tones and visualisation

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Is there a particular skill in shooting black and white images? There is, but it’s quite elusive and not immediately instinctive. After all, our eyes see in color, and there’s not a whole lot we can do about that. We can learn to ‘see’ black and white eventually, but it’s here that modern digital cameras can offer an invaluable head start.

Why photograph in black and white?

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That’s a good question. I had a friend at school who couldn’t see the point in watching a black and white movie because the world was in color. I tried to explain that black and white made things look different, it changed the mood, it brought lighting and drama to the fore… and so on. He wouldn’t have it. To his mind, black and white contains less information than color and that made it, by definition, inferior.

Recreating a classic style digitally in ON1 Photo RAW: Josef Sudek

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Josef Sudek was a photographer from what is now the Czech Republic who had a characteristic style, particularly later in his life, when he drew inspiration from the objects that surrounded him and the effects of light. His images were deep, soft and mysterious. But is it possible to achieve some of that look digitally without producing just a cheap, fake effect?

When black and white works better than color

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I’m in the middle of writing a book about black and white photography, and one of the topics I wanted to cover was why black and white still exists in a world of color, and whether black and white images can sometimes work better. It’s a difficult argument to make, but I think I’ve found a good example.

I edited this black and white image three different ways and I still can’t decide which is best

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Editing processes are very selective, and different photographers will have different approaches. Even the same photographer can have different approaches at different times. Just as it’s not always easy to cull your images, it’s not always easy to decide on the best way to edit them.