A high key image is one which consists almost entirely of bright tones. This works really well for subjects with white or near-white tones and gives a very bright, airy look. Not every image needs a full range of tones from solid black to brilliant white, and not every image needs the ‘perfect’ histogram. Histograms are there to tell you what’s happening, not what to do.
Tips
Color editing is the secret sauce of photo enhancement
All image-editors offer color controls that let you target a specific color or color range and then change its hue, saturation or lightness. In this example, I’m using the Color Editor in Capture One, but any photo editor with HSL color controls will let you do the same.
Preset picks: Silver Efex Pro Hollywood Glamour
What’s in a name? Preset effects typically have names to give you an idea of the kind of subjects they might work with, but in reality you should just choose a preset that gives you the ‘look’ you want. For this dramatic seascape I turned to the Hollywood Glamour preset in Silver Efex Pro, one of the key plug-ins in the DxO Nik Collection.
Don’t just accept Lightroom’s default Adobe Color profile
It’s easily done. You view a RAW image in Lightroom, it applies the default Adobe Color profile and you don’t even bother to question it. You can see what you don’t like, you do some editing – sometimes it takes a while – and you fix it. But often you’re fixing an issue introduced by the default Lightroom profile, and not something that actually needs fixing!
Can you create digital bokeh, and is it as good as the real thing?
If you want the short answer, it’s yes and no. Yes, you can create digital bokeh, and no, it’s not as good as the real thing. You can, however, create a reasonably convincing bokeh ‘look’.
How I use merged HDR stacks as ’super-negatives’
Lightroom and Capture One offer HDR tools with a difference. They don’t create wild and exaggerated HDR effects. Instead, they create what I would call DNG ‘super-negatives’ with extended dynamic range that you can then exploit however you like.
Preset picks: Analog Efex Pro Double Exposures
Analog Efex Pro’s double exposure tool is one of the features that makes this program unique. Here’s a breakdown of how its Double Exposure presets work and how they combine double exposures with other effects.
Recreating Kodak HIE black and white infra-red film digitally
Kodak HIE infra-red film was one of my favorite films, delivering dense black skies, dreamy soft highlights and heavy grain. Can I get the same effect digitally?
Lightroom Color Grading tool: how does it work and is it useful?
I have to admit I wasn’t massively impressed by the Color Grading panel when it was added to Lightroom. It looked like it was replacing the Split Toning panel with something less focused and more complicated. I was wrong!
Dramatic skies and silhouettes with Silver Efex Pro
I love Silver Efex Pro. It’s a black and white photography plug-in developed by Nik Software and now part of the DxO Nik Collection. What makes it great is that it recaptures the look and feel of traditional darkroom black and white in a way that other plug-ins don’t. The preset effects down the left […]