One of the ways to create a vintage look for color photographs is to use the color grading tools in most photo editors to shift and fade the colors to look ‘old’. You can use guesswork (or experience) but in Nik Color Efex there’s a Film Efex: Vintage filter that can give you a good head start but still lets you make your own adjustments. Here’s how it works.
Ideas
What is the Bleach Bypass effect and how does it work in Nik Color Efex?
The bleach bypass process is an old analog darkroom technique that produced characteristically punchy images with high contrast, high definition and reduced saturation. You can reproduce this effect digitally in many different programs. Here, I’m using the Bleach Bypass filter in Nik Color Efex, which is one of the easiest and best implementations of this particular look.
Is there a Leica ‘look’, how do you get it, and how much is actually your camera work?
I’ve had a fascination with the Leica ‘look’ ever since I first went on a shoot with a digital Leica M rangefinder. The contrast and colors were exceptionally intense, the M-series lenses added a subtle vignette at wider apertures and there was an intriguing shift in the color palette compared to the clinical accuracy of other cameras.
I’m obsessed with the strange, chaotic and beautiful world of Nik Analog Efex
There comes a time to put the science to one side, to put the histograms and the eyedroppers back in their box, and to step sideways into a very strange and very different analog world. Analog Efex, part of the DxO Nik Collection, goes to places other effects tools don’t go. It’s richer, stranger and more random than just about anything else, and I love it.
Have you tried AI preset suggestions from Lightroom Discover? You should!
LIghtroom has many limitations and restrictions. I’m talking about the web-based Lightroom here, not Lightroom Classic. But at the same time, Lightroom has some clever features that use Adobe’s Sensei AI technologies. One of these its AI-powered preset suggestions.
Why SHOULDN’T you edit JPEGs?
For many the answer will be obvious. If you want to do any serious editing later, then shooting RAW is a must, right? Normally I’d say yes, but here’s an instance where I decided to work from the JPEG rather than a RAW file, and I’ll explain why.
What kind of photographer are you – literal, emotional or graphic?
Photography isn’t just about taking pictures of things. Very often you’re trying to capture something deeper, like a metaphor or an emotion or simply a graphically satisfying image. The trouble is that what you see isn’t necessarily what other people see.
The one great strength of non-destructive editing – it remembers what you did
Have you ever browsed your back catalog of images, re-discovered one with some edits that you really love… but you can’t remember how you did it? For someone like me who uses all sorts of software for all sorts of different techniques (and has a memory like mine) it’s a real issue.
Black and white portrait enhancement: how effects can work together
This black and white image uses two beautiful things: a fabulous portrait shot by Albert Dera on Unsplash and one of ON1 Photo RAW’s excellent B&W Modern presets. Portrait images don’t always convert well to black and white, but this one works brilliantly, thanks in part to the perfect portrait lighting, the strong, symmetrical composition […]
For this shot I cheated. I didn’t use a computer at all
That sounds an odd thing to say. Most people associate digital manipulation with ‘cheating’, but it’s all about the context. This site is all about digital manipulation and I didn’t even use a computer.