Lightroom doesn’t have a ‘negative’ filter for turning negative images into positives, so how do you do it? I’ve been going through my old mono negatives, rephotographing them with a camera and a macro lens, and I wanted to figure out how to convert them without using an external tool – and here’s how it’s done! (And it should work in any other software with curves adjustments.)
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How I make my digital images look more analog
Digital images don’t look like analog. They just don’t. And it’s not just as simple as changing the colors, adding a sepia tone or applying a vignette, or a frame. There are plenty of programs and plug-ins that can recreate that analog look, or they promise to do that, but often they use very obvious techniques to make pictures look old. I’ve done this lots of times myself, I’ve nothing against this approach. It’s fine if you want to create a very obvious effect, but what I want to do today is different.
Big savings on DxO software this Black Friday: new users can save a further 5%
DxO doesn’t often do discounts, so if you’ve been thinking about about buying (or upgrading to) DxO PhotoLab 9, Nik Collection 8, PureRaw 5, FilmPack 8 or ViewPoint 5, now’s the time to do it!
Adobe Max 2025: you need AI to work out what’s going on!
If you are in the creative industry as marketeer or a content provider or an advertising agency or a publisher, you will probably eventually unravel what Adobe is offering at Adobe Max 2025 and work out what will be useful to you and what will not. Good luck.
How to get an authentic looking vintage black and white look
So far in this series I’ve looked at black and white conversion tools, basic black and white tonal adjustments and the different ways you can use digital dodging and burning to bring black and white images to life. But if you want to make them look actually old, there’s a bit more to do. It’s not one single technique you need, but a whole bunch used together.
Reviews
DxO PhotoLab 9 AI masking tools explained, with examples
DxO PhotoLab already had a formidable set of local adjustment tools, including some that rivals don’t have. PhotoLab’s clever control point masks and control lines, which effectively combine linear masks with selective masking, are unique to DxO. But other makers had already introduced AI masking with automatic region, subject and object detection, so it was about time PhotoLab caught up – and that’s exactly what DxO has done with the launch of PhotoLab 9.
DxO PhotoLab 9 review: a major update for DxO’s flagship photo editor
Verdict: 4.5 stars DxO PhotoLab 9 is a powerful photo editor which includes basic but effective image organizing tools too. It’s the latest update to DxO’s flagship photo editing software and adds AI masking, iPhone HEIF and ProRAW support and DeepPRIME processing for Fujifilm’s latest X-Trans sensors. It’s not cheap to buy and it’s not especially easy to learn but it certainly repays the effort. The quality of the lens corrections, the RAW processing, the DeepPRIME AI noise reduction combine to make this one of the best photo-editors on the market for RAW shooters.
Adobe Lightroom review (2025)
Adobe Lightroom (2025) verdict: 4.1 stars Adobe Lightroom does something pretty amazing. It makes all your photos available to organize and edit anywhere, on any device. But this does come at a cost. One drawback is that you have to pay for Adobe’s Creative Cloud storage, which is now included in its subscription plans. Another is that this version of Lightroom is slicker and more streamlined than the original Lightroom Classic, but also sacrifices some organizational features.
DxO Nik Collection 8 review
Verdict: 4.6 stars Nik Collection 8 has some interesting new features for existing users, but mostly for those who use Photoshop as their main ‘host’ application for launching the plug-ins. Silver Efex gets a major interface overhaul, however. This is very welcome, though its actual capabilities are little changed. Otherwise, apart from some workflow tweaks, it’s business as usual for this epic plug-in suite. Frankly, the Nik Collection is already such a wide-ranging, powerful and inspiring set of photo-enhancement tools that it’s always a bit of a surprise to find DxO has found anything to improve.
How to articles
Is there a Leica ‘look’, how do you get it, and how much is actually your camera work?
I’ve had a fascination with the Leica ‘look’ ever since I first went on a shoot with a digital Leica M rangefinder. The contrast and colors were exceptionally intense, the M-series lenses added a subtle vignette at wider apertures and there was an intriguing shift in the color palette compared to the clinical accuracy of other cameras.
Everyday edits: This minimalist still life shows Lightroom’s AI masking working perfectly
Minimalism, brutalism and architecture, three of my favourite things. So when I got the chance to spend a week in a converted WWII bunker, I spent much of my time exploring the objects, compositions and lighting in this strange but extraordinary environment.
Everyday edits: Bournemouth Pier, with Lightroom Classic’s Storm Clouds Adaptive Preset
It was a dark, blustery day in May. Bournemouth, on the UK’s southern coastline, was not looking its best. But I didn’t want to try to glamourise it, I wanted to make this place look exactly how it felt on that day – only more so.
Have I been looking at dynamic range all wrong? And how much is enough?
So until now I’ve been thinking of dynamic range recovery as being a combination of highlight recovery and shadow recovery. But actually, I’m starting to think that if my highlights are blown, that’s maybe not a dynamic range issue, but an exposure error on my part. I’ll explain what I mean.
Recreating a classic style digitally in ON1 Photo RAW: Josef Sudek
Josef Sudek was a photographer from what is now the Czech Republic who had a characteristic style, particularly later in his life, when he drew inspiration from the objects that surrounded him and the effects of light. His images were deep, soft and mysterious. But is it possible to achieve some of that look digitally without producing just a cheap, fake effect?