All image-editors offer color controls that let you target a specific color or color range and then change its hue, saturation or lightness. In this example, I’m using the Color Editor in Capture One, but any photo editor with HSL color controls will let you do the same.
Tutorials
Preset picks: Silver Efex Pro Hollywood Glamour
What’s in a name? Preset effects typically have names to give you an idea of the kind of subjects they might work with, but in reality you should just choose a preset that gives you the ‘look’ you want. For this dramatic seascape I turned to the Hollywood Glamour preset in Silver Efex Pro, one of the key plug-ins in the DxO Nik Collection.
Capture One 23 Cull tool: how does this new feature work and how useful is it?
Capture One 23 comes with a whole series of new features, and one of these is the Cull window, a workspace for filtering out your best shots and ditching the rest.
Don’t just accept Lightroom’s default Adobe Color profile
It’s easily done. You view a RAW image in Lightroom, it applies the default Adobe Color profile and you don’t even bother to question it. You can see what you don’t like, you do some editing – sometimes it takes a while – and you fix it. But often you’re fixing an issue introduced by the default Lightroom profile, and not something that actually needs fixing!
Can you create digital bokeh, and is it as good as the real thing?
If you want the short answer, it’s yes and no. Yes, you can create digital bokeh, and no, it’s not as good as the real thing. You can, however, create a reasonably convincing bokeh ‘look’.
How to use DxO PureRAW in Lightroom Classic
DxO PureRAW 2’s processing is better than Lightroom’s, but it can also be used from WITHIN Lightroom. So how does that work, and are the results (a) really worth the effort and (b) as good as regular RAW files to edit?
How I use merged HDR stacks as ’super-negatives’
Lightroom and Capture One offer HDR tools with a difference. They don’t create wild and exaggerated HDR effects. Instead, they create what I would call DNG ‘super-negatives’ with extended dynamic range that you can then exploit however you like.
Is luminance masking all it’s cracked up to be? I’m not convinced
Luminance masks sound like the perfect solution to a perennial problem – restricting masks to specific brightness ranges. But how useful are they really?
Preset picks: Analog Efex Pro Double Exposures
Analog Efex Pro’s double exposure tool is one of the features that makes this program unique. Here’s a breakdown of how its Double Exposure presets work and how they combine double exposures with other effects.
Recreating Kodak HIE black and white infra-red film digitally
Kodak HIE infra-red film was one of my favorite films, delivering dense black skies, dreamy soft highlights and heavy grain. Can I get the same effect digitally?