Why would you use colour filters when you’re shooting in black and white? It’s so that you can control the way different colours translate into shades of grey. For example, if you shoot through a red filter, it blocks colours other than red, so that opposite colours, like blue skies, for example, come out much…
It’s very easy to lose extreme shadow or highlight detail when you’re shooting high-contrast scenes, and that’s one of the reasons for shooting raw files – they contain additional highlight detail, especially, that you may be able to bring out during processing. Shadow and highlight recovery is not always possible, but I usually reckon that…
The way that certain cameras feel and work and operate lends them to a certain kind of photography. And for me, the iPhone is perfect for high-contrast, graphic black and white images. True, the image quality is some way short of what you’d get from a ‘proper’ camera, but when I’m using it I see…
The Lightroom HDR tools built in are good in their way, but will only get you so far. Yes, you can boost the shadows, reduce the highlights, add some Clarity and Dehaze and maybe a graduated filter for the sky, but you can end up doing a lot of work only getting half way to the…
Modern cameras can reproduce the world with utter, clinical accuracy. The trouble is, it turns out that’s not what we wanted after all. A lot of the time, what we actually want is the faded, distressed, imperfect look of analog photography. So here are six top tips for getting that analog film effect ‘look’ with…
Maybe you wouldn’t normally think of Capture One Pro as an image-editor. It’s a superb RAW converter and general image enhancement tool, but most of the time you’d probably swap to a plug-in or an external editor for really detailed effects work – especially any that required localised adjustments. But I’ve been spending some time with Capture One…
It’s all very well giving advice about how to achieve certain effects using this software or that software, but it always strikes me that no-one ever talks about WHY you should use a particular effect with a particular subject. Books and magazines are very tied up with the mechanics of photography but rarely stray into…
Images often need a contrast boost to give them a little more life and intensity. It’s a perfectly ordinary technique we’ve been using for years. Tone curve tools or simple contrast sliders are used to push the bright and dark values in the picture further apart to increase their separation (and, ideally, without ‘clipping’ extreme…
It’s that time of year when autumn leaves produce a riot of colour, and you’ve only got a short window of time to get out there and get pictures. But the results don’t always match your expectations, and this shot is a prime example. The reds and yellows of the leaves were striking, but they…
I am a huge fan of Google Snapseed. I’m not a huge fan of what Google has done with it, dropping the desktop Snapseed app and then the online Snapseed editing tools built into Google+ Photos. This has been replaced by a separate Google Photos option with much simpler editing tools. Thankfully, Snapseed still exists…