It’s a fake. Good, isn’t it? The reason I know it’s a fake is because I made it myself using Adobe Firefly Generative AI. In fact the only creative input involved was how I worded my text prompt. The trouble is, when AI generated images get this good, how can we tell what’s real any more?
Opinion
When black and white works better than color
I’m in the middle of writing a book about black and white photography, and one of the topics I wanted to cover was why black and white still exists in a world of color, and whether black and white images can sometimes work better. It’s a difficult argument to make, but I think I’ve found a good example.
Is Adobe trying to retire Lightroom Classic?
As of January 2025, Adobe is no longer offering its regular 20GB Photography Plan subscription to new users at its old $9.99/month price tier. Existing subscribers can continue to use it, though at an increased cost of $14.99/month. But for new users, there is now only the 1TB Lightroom Plan (now $11.99/month) and the 1TB Photography Plan ($19.99/month – as before).
Topaz Labs Cloud Rendering credits are a brand new way to charge customers
At the moment, Topaz’s Cloud processing is optional. You can still use your own computer for processing. But will there come a point where Topaz’s AI processing becomes so ‘powerful’ that it can only be done in the cloud? Convenient, huh?
Why don’t I talk about ACDSee?
I review a lot of software on Life after Photoshop but I rarely talk about ACDSee. Why? On the face of it, ACDSee Photo Studio 2025 is a powerful all-in-one photo organizing, developing and editing tool that embraces the latest developments in AI and is available both as a subscription and subscription free. So what’s not to like?
Am I impressed by Photoshop’s AI Generative Fill and Generative Expand?
Everyone’s raving about Photoshop’s new Generative Fill and Generative Expand features. So far these are confined to the Photoshop 2024 beta, but is this the future of photography, a world ruled by the imagination not reality.
Why SHOULDN’T you edit JPEGs?
For many the answer will be obvious. If you want to do any serious editing later, then shooting RAW is a must, right? Normally I’d say yes, but here’s an instance where I decided to work from the JPEG rather than a RAW file, and I’ll explain why.
Lightroom locks you in, in ways that other programs don’t
Lightroom exists in two versions. Lightroom (the web version) is the big villain of this piece, but Lightroom Classic isn’t entirely guilt-free. Both use a one-time import process that copes badly with subsequent external changes. This effectively locks you into using them as your sole digital hub from then on.